The Fabric

4-H was huge in our rural area, and we farm girls could both exhibit livestock and learn to sew and bake. My main focus was the sewing, and in fact I garnered some blue ribbons. That is because I had the best teacher in the county: my mother. Miss Carol Jean Smith married Stanley Gingrich before she finished college, but she deserved an honorary PhD in Home Economics. I mean the noble, mid-century kind, which truly valued all the arts that made Home not only economical, but lovely.

Mom was a master seamstress. She always produced excellence and held me to her high standard. But she also had the ability to teach with patience and to supply consolation as needed. I cried over many crooked hems, many jammed needles, many poorly timed backstitches pedaled imprecisely on the old Singer. She had a little pink seam-ripping tool, which I learned to use with relative composure. If a button hole was crooked, she assured me that I would improve on the next one.

When I was about thirteen, I had an ambitious idea for Father’s Day: I could sew Dad a shirt! What a nice gift, something he would cherish from his only daughter.

The choice of style was easy: Dad loved to play golf. And he was a dapper man for his time and place, liked to look the part, liked owning (as he called them) “snazzy” shirts for on the course. He always enjoyed a new one. And as shirts go, it was the perfect choice for a young seamstress: fairly simple design, no zippers, no stiff collar needing a perfect point, and only three button holes. The casual style would forgive a pucker or two in the shoulder seams (as long as it was under the arms—otherwise, the seam ripper).

I’m sorry to say that, with this project, my mother had a rare failure of judgment. She let me pick out the fabric. I chose terrycloth. It looked so summery, so cool! Well, alright honey, I think that will work; No, I don’t think it will look like a towel. Look at all the colors available; terrycloth seems to be in style this year. Yes, white’s a good choice; it goes with anything.

The sewing went well, albeit a little slippery. There were a couple seams I had to repeat, but nothing to induce tears. All in all, I was pretty proud of that shirt.

Dad opened my neatly wrapped box with a stream of happy commentary: Hmm…what can it be? What did my favorite daughter give me? I’ll bet it’s something really special….As he lifted the shirt from the tissue paper, he poured out praise: I love it! I’ve been needing a white one. He hugged me and kissed my cheek and said all the right things. Of course Mom pretended I had done it all on my own. Dad hurried to the bedroom to try it on.

When he emerged, it was painfully obvious to all three of us that the shirt was too small. Way too small.

Turns out white doesn’t go with everything. When stretched taut, it becomes rather transparent, especially in a loose weave. And no thirteen-year old girl wants to see the results: man nipples and springing chest hairs (where the buttons can’t quite reach their holes). Add to that the problem of the legendary Farmer’s Tan: in too-short short sleeves, boundaries are exposed, and that deeply-established brown looks ten shades darker than the upper arms. Next to the shirt’s white glare, Dad’s normally impressive deltoids looked kind of…pink.

When he just a tiny bit suggested that the gift could maybe possibly fit a tiny bit better if the sides were let out just a little, my heart sank. As per instructions, I had carefully trimmed the seam allowances to one-quarter of an inch. There was no way even Dr. Mom could surgically expand my work.

But my father could expand his praise. During his daughter’s thirteen years, he had mastered the loving little lie, the exaggerated affirmation. He tugged that shirt down over his belly and pretended to be rapt with admiration; he waved his arms across his chest to show how the wonderful fabric allowed for great movement.  You know, it’s fine; it’s perfect really. No no, it’s not too small. I’m wearing it! Nooo, honey, it’s just right. It’s great, in fact. To this day, I hear his voice--his kind, genuinely cheerful voice—and I see the squeezed smile on Mom’s face. I can even feel the wave of understanding that surely passed between them: Don’t say a word.

My heart teetered between hope and desolation. Dad really did look ridiculous. But he kept saying it was fine, it was fine, and I took the impossible leap of faith and believed him. Mom probably mustered all her imagination: maybe eighteen holes could make that shirt expand farther than the most affectionate fib, and in even better proportions.

No man can look snazzy in too-tight terrycloth. But a good-natured man with an irrepressible sense of humor can pull off something better. I’m quite sure Dad gave into temptation before teeing off. How can I blame him? I knew the reputation of his “golf buddies.” Burt and Ted and his brother Sed were great jokesters. I can easily imagine the scene: the guys chuckled when my father strolled up wheeling his bag behind him on a pushcart. They teased, So Carol finally shrunk your clothes, eh? as they ground cigars into the grass under their saddle-style shoes. What are you clowns talking about? my dad shot back. This shirt? This is my Father’s Day present, and by golly I’m wearing it with pride. You goofballs go ahead and laugh. Those pro-shop shirts of yours sure aren't going to help your lousy putting.

And for the love of his daughter, I bet you he beat them all. And afterwards, he collected their quarters and ribbed them some more and waved off the invitation to a round of beer, because his family was waiting for him at home. And he walked off getting the last laugh: Hey, Teddy, you might have fixed that bad hook, if your shirt hadn’t been so loose.

This past summer, my dad, at 82, shot under his age. That’s a thirty-seven and a thirty-nine, boys. You see, he can still play a perfect game.

 

O Sun, Stand Still at Gibeon

One of the first lessons we children learned in Sunday School was this: The church is not a building; it is the people. Of course, we didn’t believe it. We knew that, if the church was us, it was in big trouble.

We were disciples of crime, disturbers of the peace. We left shards of broken commandments all over the hall. We stole sugar cubes that our own grandmothers had bought; we broke the donated toys. We experimented with four-letter words. We snuck into forbidden places—the basement, the bell tower—and our only punishment was finding them uninteresting. We mimicked the way old ladies sang, gossiped about fat people and nicknamed a foster kid “Dog.”

We broke the spirit of our choir director. The Christmas program was approaching, and “Little Gray Donkey” was in bad shape. We refused to obey. A sudden impulse overtook the Bennett boy: he vaulted over the choir loft, flew about seven feet and landed with a mighty thud on his size elevens. It was shockingly brilliant. Rehearsal screeched to a halt, and we were seriously scolded, but snickered under our breath.

Despite all the evidence, no one clearly taught us about original sin. Apparently, coming down hard on people was not a denominational concern.  This deliberate omission actually made life harder when we became teens. Confirmed as members, we were now told that we were “the body of Christ.” This was bad news: our behaviors had only gone underground and worsened. And we didn’t even like each other all that much.

I started becoming suspicious of it all on Easter Sunday, just before I graduated from high school. I was already feeling that there must be a crack in the building’s foundation. Now I was hearing that we were a body without a living head.

The sermon was called “Where Did The Body Go?” The minister used a peculiar logic: the Bible says that Jesus is sitting at God’s right hand. God doesn’t have hands, so that’s impossible. The only interpretation is that the body is simply you and me, here and now, with Jesus’ fine example moving us along.

And so, by the end of that hour, all that was left of Easter was the stained glass window behind the pulpit. I had looked at it every Sunday for seventeen years. It depicted a solid Jesus. The morning light was behind him. He was standing in front of a cave. One hand was up, and there was a shard of crimson in his palm. Mary Magdalene was on her knees with her face lifted. There was no mistaking her expression: she had not expected a resurrection.

We, sadly, had expected one, but it was taken from us. Here we were, getting ready to vault into the world, with nowhere to land.

But back to those naughty children, in their goofiest hour. Mrs. Heston read us the story of Joshua, who led his people against five armies. He prayed for a miracle:

 Joshua spoke to the Lord, saying,“O sun, stand still at Gibeon,
 and O moon in the valley of Aijalon.” So the sun stood still, and
 the moon stopped, until the nation avenged themselves of their
 enemies. And the sun stopped in the middle of the sky and did not
 hasten to go down for a whole day. There had never been a day like it before.

Our class went wild. One whole day, completely missing? That meant the calendar was all wrong! Today wasn’t today after all! Ha ha ha! Christmas wasn’t December 25th-- it was the 26th! The Fourth of July was really the Fifth of July! Everybody's birthday was off by a day, ha ha when’s yours? When’s mine? And oh oh oh, we shouldn’t even be in church right now because today is Monday!

Mrs. Heston never batted an eye. She didn’t scold, she didn’t stop the rioting. She let us go on re-arranging history on the basis of her simple testimony: the Bible tells us so. She was teaching us that its accounts are true; that the cosmos is held together by personal resolve, and its maker, anytime he wanted, could shake it up. The sun could stay or darken, according to His mysterious plan.

It meant, in fact, that anything could come undone: light and darkness, thievery and lies, every kind of mischief and all the ways we fall hard. Even, if he willed it, death itself.

The Name's the Thing

I became an English major so that I could read classics and avoid laboratories. I wanted to write poetry, not research plants. I understood symbolism; I didn't understand cells. These were two incompatible worlds, a divided campus, Caliban spurning Ariel. Indisputable theory and playful imagination were impossible bedfellows. Which is why I was intrigued by a recent radio broadcast.

The program combined a touching narrative (a young girl named Claire is enchanted by a bird) with biological insight (the bird's evolutionary purpose). All was tied together with deep philosophical hypothesizing—mainly by me, while driving along the I-15.

The bird is called the honeyguide, and it lives in Mozambique. Its name is sweetly practical: this species actually does lead people to honey. To summon the bird, you must first master its sound, which was nicely demonstrated on the program: a long rolling rrr followed by a sharp humph. You whir and huff your way into the forest and soon, playful as Puck, out flies the little brown honeyguide. Follow it leaf by leaf, and you will discover luxuriant, edible, dripping gold.

According to the broadcaster, “Scientists believe that billions of years ago the bird may have evolved an innate desire to lead people to honey.” My first thought was that a chocolateguide would have been just as useful. But then the bird would have ended up in South America, never to be discovered by young Claire.

My second thought was this: prior to honing its innate desire, the bird surely evolved organizational skills and an altruistic instinct. In fact, a group of honeyguides could easily form a non-profit. On their continent, many important causes could be targeted: world hunger, micro-financing, and/or eco-tourism, to name just a few.

Third thought: My son could capitalize on this. He works for a company that helps non-profits to raise funds. By successfully marketing its services to the honeyguide, he could help his company expand internationally. Sam, declaring himself “the fittest,” could then muscle his way up the ranks. This natural selection would mean, of course, a hefty raise.

However, as we have seen, evolution is not without its hitches. There is such a thing as moral devolution, in which a progressive desire for luxury masks itself as biological Necessity. If it comes to this in Sam's case, I will have to keep an eye on him, maybe offering to do research—on, say, an all-expense paid trip to the Mediterranean.

But in the meanwhile, hats off to the honeyguide for sticking around all these years to make life sweeter for all of us. As Shakespeare would say (if interviewed by NPR) a bird by any other name wouldn't be nearly as interesting.

In a Restless World Like This

My parents have fallen asleep leaning on each other. I’ve peeked into their bedroom because their tv is still on. The sound is muted; the words are scrolling across the screen. My father, at eighty-two, needs a c-pap for his suspended breathing, but there is still room on his shoulder for his wife of sixty years. They were watching a show about dancing. And Dad wanted to catch one more weather report before morning.

A severe storm watch is in effect for the following counties: Stark, Henry, Whiteside. These are the surrounding areas; my father’s crop is safe. There is only this quiet after the rain, only faint, trilling taps on the roof and the tick of a clock by the bed. The screen is flashing images of the outside world, making a sort of glow over them. But it does not wake them. It is more likely that my footsteps will, so I decide to close their door, leaving just a little opening for that same light.

Down on the Farm

I read submissions for a children's magazine, and about once a month, a farm story comes through my queue. Usually Farmer Brown gets up in the morning to the crowing of his rooster. Happily, he walks through the barnyard tossing grain to six fluffy chicks. He stops to pat his milk cow and admire a family of pink pigs. A typical conflict is a stubborn goat who doesn’t want to join the fun—until Farmer Brown coaxes him with a yummy ear of corn. Then all the animals pile into Farmer Brown's bouncy pickup, and off to town they go for a little fun.

The problem with these stories is their lack of zest. Real life farming is a much greater adventure.

A real farmer doesn't wake up to a rooster, but to a market report. If his vehicle bounces, he should see a mechanic before harvest. A single cow might be kept by, say, an experimenting homeschool family, but a modern dairy farmer can only survive if he invests in an "operation.” Animals going to town are not a subject for a child: they are about to be slaughtered. And a typical frustration is not a stubborn goat, but a thing no man can coax: the weather.

My father has been on the farm 82 years but has kept with the times. He showed me his mobile app this morning. Here is what it said:

MARKET COMMENT:
Corn: DN 4-6
Beans: DN 5-7
Wheat: Mixed
Rains bring some relief
to central Corn Belt,
trigger profit-taking.

Translation: Last night’s rain could have cost him several thousand dollars. DN means down.

Dad could kick himself for not selling on Wednesday—but how could he know that the Board of Trade would weigh his storm against the drought in North Dakota and decide that his crops weren’t worth as much on Thursday?

The one thing my father shares with Farmer Brown is a cheerful spirit. He says, “You can’t look at it as a loss. You do and you’ll drive yourself crazy.” You wait and hope and, as his 87 year old brother says, don’t plan any vacations to Vegas. A farmer gambles every day.

Dad loves visitors. He will take you for a ride in his pickup anytime. He'll explain the timing of pollination, the optimum moisture in a kernel, why peat ground has its advantages, and the reason an old shed is left to collapse in the weeds. He’ll tell you why you don’t see as many farm houses around the county as you used to--let alone pigs (which are not pink, btw).

Last night’s thunderstorm kept me awake, not because of noise, but because I became like the child who keeps asking for another bedtime story. I knew better. The storm that made my heart beat faster could very well break my father’s.

The atmosphere was shuddering like a troubled brain. I only saw one bolt of lightning strike the earth; the rest was an entire dome of pulsing light, snuffed out to stillness, then reawakened with a shock so bright that it brought an almost prophetic vision: a split-second when the darkness fled and the entire the land was clear as day, green to a blue horizon. The maple tree in the yard was suddenly outlined so that you could have numbered the leaves, if the world had frozen. But it didn’t. It never does.

By some miracle, in that wild weather there were occasional tiny flashes across the field: fireflies. They were ridiculous, really, in their persistent light. But it's July in rural Illinois, and that is what you get, and that is what you loved as a child. Your mother gave you a pickle jar and your father punched holes in the lid, and both let you stay up late. You ran around the yard in the dark, barefoot. You caught those little lights in your soft hand, and they tickled. You knew you had to let them go in the morning. But that was okay, because your father assured you that they would always come back.

The Quick Change Room

Last week I regaled you with my performances on the stage. This week, we consider my work behind the scenes, at a different community theater.

I’ve had many part-time, temporary jobs over the years, but none harder than my stint as a costume director. I was paid what I was worth (a bag of chocolates, I think it was), so no one really had the right to complain about my performance. But surprisingly, they did.

The play was called “The Quick Change Room,” and my job was to coordinate the costume changes backstage. Whoever volunteered me should have known better: you don’t give this job to someone who is easily distracted, likes to chat, and can’t see well in the dark. Focused, silent, eyes like a cat—these are the stuff. And the more amateur the actors, the more at stake. This particular troupe took great pride in their entrances onto the stage (which were, I’m sorry to say, usually better than the acting they did when they got there).

The job requires precision. Prepare for complaints. “Next time, unzip the black dress before you hand it to me.” “Leave the top two buttons of the skirt undone—I have big hips.” “Could you sand the soles of my shoes? I slip every time.” And my favorite: “You need to set the hat eight inches to the left—I’m used to grabbing it there.” There were also dangers. Two actors came to me breathing murderous threats against each other; the issue was (I am not making this up) a shoelace hole. As the saying goes, there are no small parts, only short fuses.

I trouble-shot and fumbled my way through five performances and at the end of each, while the actors were out celebrating, I checked and rechecked zippers, repaired rips, ironed undergarments, hung slumps of dresses back on their hangers, and rinsed out the armpits of the men’s shirts. The bag of chocolates didn’t last long.

Half-way through the first performance, I knew this was not the career for me. There’s no future in a field where you are the personal pin cushion of a prima donna. There’s no workplace pride when a misplaced boot forces an improvisation that ends with an actress in tears.

The irony in all this was that “The Quick Change Room” is a comedy taking place in a dressing room. The setting is a Russian theater. The troupe, and the nation as a whole, is transitioning from communism to capitalism. The laughs come as characters bumble and hustle in and out of costumes, agonize over missed cues, and bemoan the public’s changing tastes. In the end, they turn Chekhov into a Broadway-style extravaganza, and the place sells out.

I can’t recommend it for the whole family (there is one scene that has, uh, no costumes and is rather…hippy), but it is a very clever play. And I learned a lot. Some fascinating discussion took place in the (real) changing room. The best actor was a big bearded Italian with a host of family anecdotes and a loud, happy voice. Joe was actually the one responsible for the lost boots (he had left them under his dressing table), and he graciously apologized, which was no small consolation amid the slings and arrows I was dodging. Joe liked to call attention to his orientation. He talked about his “crush on this guy at Walgreens," and he liked to describe features of the culture he hung out in. One actress bantered back and forth with Joe about their lifestyle differences. She was the mother of four. So was I. One night Joe said, “Do you know what we call women like you? Breeders.” The actress laughed, and I felt curiously unoffended. I liked Joe. He was nice to me. He was polite about buttons, and he sprayed all the shoes with Febreze. He meant no harm. He was simply offering a glimpse into a social order that he himself didn’t seem to take all that seriously.

As I sit here today watching the national news, I can't help but think that we're in a quick-change room. Rehearsals aren’t going well. It’s not exactly a family-friendly show. Apparently a new world order is being staged, and we'll all be fine if we just shift a little to one side. 

I am a mother (of an admittedly wild brood), not a politician or a pundit, and most of my job is done. The hustle and fumble and forced improv was worth it. I couldn’t ask for a better role. I’ll admit that, as the show goes on, I worry. But I have heard that the director is very good and, as he is wont to do, will flawlessly pull it off in the end.

           

Cats

My four children consider my brief theatrical career as something of a family joke. But I take it very, very seriously. I cannot understand their attitude. What can possibly be wrong with having witnessed your middle-aged mother on stage, dressed head to toe in spandex, with white face paint and a spiked wig, prancing for two hours (very lithely, mind you) and answering to the name Jellylorum? Is this something to blush at? To blot from the family album? On which to base a claim, as one son did, that you are “scarred for life?”

Have YOU ever had a starring role in “Cats”?

I remind Scarred Son that the whole thing was not my idea. His Broad-Minded Brother (names withheld to protect the guilty) actually launched me. He and Gung-Ho Little Sister were trying out for a local production. He invited me to come along. Something stirred within me. I was swept up in a vision: I would make a triumphant-albeit-modest return to the stage. (I had played a suffragette in a school melodrama 35 years earlier). The swan would arise.

I prepared a peppy audition number, expecting at most to be placed behind a trash can (the set was a city alley). But lo and behold, the director (he was sober, I promise you) said, “You have a really good voice.” The call came the next day (he was still sober, I promise you): he wanted me as Jellylorum.

Broad-Minded Son exclaimed, “That’s a lead, Mom!” Not only would I be one of the first cats to pounce onto the stage, I would have a solo.

I see by your expression, dear Reader, that you don’t quite know what to make of this. “Cats” is one of the longest-running musicals of all time. Some would say Too Long, because all the characters are—you guessed it—cats. So if you have an aversion to cats, were once scratched by a cat, prefer any pet BUT a cat, or are simply allergic to adults dressed as cats, you will find it, at best, weird. It is based on T.S. Eliot’s poems for children. Eliot put aside his obscurantism and had plain old fun with rhymes about anthropomorphized cats. All their names are wacky: Skimbleshanks, Rumpleteezer, Mungojerry…and our friend Jellylorum. Their various escapades have been put to song, and now community theaters everywhere perform “Cats”-- with moms like me putting the force in tour de.

The first thing I had to learn was How to Move Like a Cat. It turns out that they do not say “Ouch” when they jump. They don’t stick out their fingernails (unless threatened); their paws hang loose. They don’t walk; they swish. And when the music starts, they dance like there’s no tomorrow (which was Scarred Son’s prayer, after opening night)

Rehearsals were rougher than I expected. From moment one, I was under tremendous pressure. At the sound of a lone oboe, I had to leap from a ten-foot platform onto an eight-foot platform. The first time, I landed on my face. The second time, my paws froze to the boards. The third time, Broad-Minded Son (who played an escape-artist cat) taught me a way to “just sort of roll yourself into it.” As I said earlier, he is the one who launched me.

Besides her solo, Jellylorum was featured in three numbers: one about a cat teaching mice to knit, one about a pub-crawling cat, and one rather sultry number called “Macavity the Mystery Cat.” I am no dancer, but I must say I mastered the moves quite admirably (one was called “headlights,” but it’s best not to ask).

I did not perform with an entirely clear conscience. My husband was a pastor at the time, a very principled Scottish Presbyterian, and there was a Sunday afternoon performance. But he was gracious about it, perhaps persuaded by the apostle’s “all things to all men” (although I don’t think that includes becoming feline).

I even made the papers. Because three Telfers were cast (Gung-Ho Little Sister made an adorable kitten), a reporter interviewed me about the experience. Here is how she began the article:

“Some families bond by taking vacations. Some play board games. The Telfer family enjoys dressing up like cats and crawling around on a stage.”

I was very glad I hadn’t told her the Scottish Presbyterian part.

Ah, my solo, you ask? It was nothing, really. The stage was empty. The lights were dim. Silently, I slunk onto the stage. Then, emerging from the shadows, I arched my back and slowly rose to my feet. I drifted (or so it felt) into the spotlight. Then, cued by a soft F-major arpeggio, I began a mournful ballad called Gus, the Theater Cat.

Gus hobbled onto the stage (someone’s dad, whose spandex was mercifully hidden by a tattered cloak) while I sang about his bygone career:

He isn’t the cat that he was in his prime
Though his name was quite famous, he says, in his time
And he likes to relate his success on the halls
When the gallery once gave him seven cat calls.

With heart-wrenching nostalgia, I ended the song:

These modern productions are all very well
But there’s nothing to equal, from what I can tell
That moment of mystery, when he made history
As Frirefrorefiddle, the fiend of the fell.

It matters not, dear Reader, what “Frirefrorefiddle” means. The point is, when I finished the song, I was sure I heard weeping.

Scarred Son will say it was him, but do not believe it.

I could regale you on and on; this only scratches the surface (ho ho). I will tell of just one more role. The same company put on “Sweeney Todd.”  I could reach a high C, which was handy for a number called “City on Fire.” I was part of a group of escapees from a 19th century London asylum. We burst onto the stage and ran all around it, shrieking, “It’s the end of the world!”

After that show, the child whom I’ve not yet mentioned—our oldest, aka She Who Understands True Artistry--threw her arms around me and summed up my entire family-history-making career with the highest compliment of all:

“Mom! You were the best lunatic!”

 

 

 

 

The Fall

Twenty years ago, one of my brothers went missing. He did it on purpose, and now all we have of him are recollections and bits of vague information on where he might be.

In my parents’ attic there are four boxes of our school papers, arranged like fine linens by our mother. After I laughed and sighed through mine, I opened my lost brother’s. It contained most of what I knew of him, because in adulthood we went our separate ways and, in his case, disappeared.

I found cards my parents had received at his birth: light blues and the white delivery stork swinging a happy baby in its beak. The cards are very sweet, funny and probably valuable as vintage items fifty-eight years later.

I found the marvelous drawing he did at age twelve: an Indian chief on horseback. The nobleman has a stern face, a full headdress, a long spear. The horse is rearing. Its legs are all muscle and very precisely drawn. The portrait hung on Grandma’s refrigerator, even after she had lost the memory of where it came from. I was there when my mother took it from her empty house.

Mostly, my brother's box contains his athletic achievements. In our rural area, there was no boy like him. He was an unerring pitcher. In the mile run, he had more strength and stamina than any other leggy farm kid. He fastened a boxer's speed bag to the pipes in our basement and with flawless eye-hand coordination would turn it to blur: back and forth, back and forth, fist punch elbow punch, fist punch elbow punch fist elbow fist, an almost terrifying speed for me, his younger sister, to watch. In a lighter mood, he would entertain his peers by walking the entire perimeter of the basketball court--on his hands.

Basketball earned him his great fame. He spent thousands of hours at it. Our father poured blacktop for him and hammered a backboard onto the garage. My brother’s shots rarely needed to bank—almost every shot was a rimless swish. One summer, he worked out a deal with Dad: if he could practice basketball eight hours a day and not do farm work, he would earn himself a scholarship to college. And he did. He was a Division I point guard. He was often in the newspapers.

It goes without saying that he had a lean, sculpted, ruthless physique. His physical balance was perfect.

He was also high school valedictorian, an entertaining emcee at rallies, a clever writer of poems, essays and short stories. Pretty girls had crushes on him, and guys would double over in laughter at his jokes. They all looked up to him with envy and admiration.

Looking back at what may have caused his deliberate disappearance, I wonder if the seeds were there in those obliterating punches and the maddening rhythm of the endlessly swatted ball. In the torrents of sweat on his bared chest and his steely, hypnotized expression. In his lion-like confidence. In the way he argued religion and did not always resolve the debate on a cordial note. Eight years ago, I heard that he was studying Greek to get at the original meanings of great truths. I also heard he was divorced and, for a time, homeless.

Back to the cardboard box. There was a trophy from eighth grade, the small kind that fits in a boy’s palm: First Place Pole Vault. This was the most dramatic of his sports. Pole vaulting requires an uncanny combination of skill: the right grip of the warrior pole, great bursts of speed, precise timing and accuracy, unreal flexibility. It also takes a sort of reckless nerve.

I don’t know if my father has any regrets about that one summer. He was always so proud of his son’s achievements, never missed a game or meet. But I worry that all the articles, the ribbons, the certificates and trophies will only grieve him more, so for now I’ve hidden them in a corner of the attic.

I’ve had many glimpses into Dad’s heart over these twenty years. I find it as noble as King David’s when Absalom undermined his father’s realm. Dad says he trusts the heavenly Father—what else to do? I caught him one summer day standing on his front porch. He was weeping. He spoke the question that a man of deep faith, after bowing to the unanswered Why, will ask. He simply said, “How long, Lord?”

Now I'm picturing those two things together: my brother free-falling from what seemed an impossible height, while his family trusted that he would land without injury. And my father gazing out at what a farmer inevitably sees: his growing crop. It was very green and healthy that year, looking to be another record harvest.

 

 

Word Search

“But ask the animals, and they will teach you,
or the birds in the sky, and they will tell you.”
 Book of Job, chapter 12

Just over the hill from our house is the famous San Diego Zoo Safari Park. I can't fully recommend you go there; it’s a very disturbing place (from the Latin disturbare, 'to throw into disorder'). At each visit, everything I'm supposed to believe--from biology, zoology, taxonomy, whatever the word is--gets utterly overthrown.

Here’s the problem: There is so much unconscionable waste there. I don’t mean the plastic water bottles; I mean the exhibits. Here we live in a universe, we're told, which only manages to survive by shedding inefficiency. But the zoo flaunts a ridiculous excess. Whatever its origin--Asia, Africa, America--every single species is guilty.

The entrance fee is $52 dollars, but it's paying to enter a Hall of Horrors (Old French, from horrere ‘to tremble, shudder’). Something haunts that park. An invisible interloper. An exploiter of beast and bird, forcing them to do all the talking. Signs are posted everywhere that warn of  “extinction.”  But there's another problem: the intrusion of a powerful, enormous, all-consuming Life.

Dear Safari Park: If you are going to charge me to get in, at least explain what I am seeing. I watch a dozen types of antelope roam the plain, and none of their antlers match. Where is the consensus? I walk an acre of cacti, from the grotesque to the quaint, and all you warn me about is thorns? Then there’s the volume, a deafening clamor of color. One cruel bird hoards four different hues on his beak alone! Whatever happened to courtesy? To customer service? I am cancelling my membership until I can recover.

I once heard a scientist explain the giraffe’s long neck. He said it evolved so that the giraffe would not starve; it needed to reach the upper leaves on certain trees. Then he said that the beast's relatives evolved to eat grass. And all I could think was, they both live on the savannas of Africa--why is the giraffe so fussy? Isn’t it faster to change an appetite than to evolve two meters of vertebrae? Why not just join the family for dinner?

At the park, not only does my head throb, but I start feeling really, really stupid. The only consolation is the girl who offers to paint my portrait to make me look like a cheetah. Afterwards, I can soothe my nerves with a $5 ice cream cone.

Bottom line: it's all terrible. From the Latin terribilis, 'causing awe or dread.'

I admit I'm out of my league here. I wasn’t a science major. In my department, you never got a purely rational answer to your questions; you were just assigned papers. So I've tried to sort this out in the only way an English major can: consulting a Romantic poet.

William Blake is helpful:

Tyger Tyger, burning bright, 
In the forests of the night; 
What immortal hand or eye, 
Could frame thy fearful symmetry? 

And what shoulder, and what art, 
Could twist the sinews of thy heart? 
And when thy heart began to beat, 
What dread hand? And what dread feet? 

 What the hammer? What the chain, 
In what furnace was thy brain?
....Did he smile his work to see? 
Did he who made the lamb make thee? 

Tyger Tyger burning bright, 
In the forests of the night: 
What immortal hand or eye,
Dare frame thy fearful symmetry?

Blake made one very important word choice in that last echoed line: “could frame” becomes “dare frame.” I don’t know if Blake turned to, or fled from, this bold blacksmith, but he certainly sensed that the craftsman was terribilis.

It’s notable that even the gentle lamb gave the poet pause. And surely, there is something more awful (in the Old English sense) about a lamb than about any other creature. It bows at the foot of its shearer without complaint. It extends its neck willingly. And while it lies there mute, a dreadful voice thunders over its torrent of blood.

You're the Tooth Fairy!

Today rhondatelfer.com takes a break from essays and offers a little fun. Dedicated to goofy moms everywhere.

       Ben gave his mother his biggest wide-mouth smile. “Do you remember that I lost my tooth?” he said.

       “Yes,” she said. “It fell into your potatoes.”

       “Here it is, in case you’re wondering.” Ben lifted one corner of his pillow and showed her. “It’s right there. Do you see it?”

       His mom squinted. “I think so,” she said. “It’s a little hard to see. But the tooth fairy will find it. She always does.”

       “You mean you always do,” said Ben.

       “Me?” said Mom. “Why me?”

       “Because you’re the tooth fairy,” Ben said smartly.

       Mom looked surprised. “How can I be a fairy? Do I look like one?”

       Ben frowned. “No, I mean there IS no tooth fairy.”

       “No tooth fairy? Then who brings the dimes?”

       “You do. And it’s dollars now, remember?”

       “Silly,” she said, “You know I never have enough change.”

       Well, that was true. Once she had to borrow from Ben’s jar just to pay a library fine. She probably couldn’t—

       “Waaait a minute!” said Ben. “I said there IS no tooth fairy.”

       “Really?” Mom’s voice turned whispery, like she was asking for a secret. “Then who takes the teeth?”

       “You do!” said Ben. “Wesley told me.”

       “Wesley said that? We’d better invite him over. He must think I have wings. And a houseful of incisors.”

       Ben’s brain had to move fast now. His mom started mumbling to herself.

       “…messes of molars, canines everywhere….”

       “No no no,” said Ben, but his mother wasn’t listening.

       “…might be an interesting job. Lots of travel. But I’d have to lose weight. I couldn’t possibly ride a firefly.” She shook her head. “No. I’d never be hired. I’d have to learn Bulgarian, Swahili…and all those addresses! I have a terrible memory.”

       That was true. Two times last week she forgot to put a sandwich in Ben’s lunch, and Wesley would only share his carrot sticks. That killed his tooth. Mom could never--

       “Hold on!” said Ben. “You’re trying to trick me. You don’t have to be everyone else’s tooth fairy.”

       “…and I’m so bad with directions. Imagine me trying to find Madagascar.”

       “Other kids have their OWN tooth fairies!”

       “Why, Benjamin!” said Mom. “You know there’s only one tooth fairy.”

       “Nooo…I mean their moms are their fairies.”

       She chuckled a little. “So many tiny women flitting about? All the shoe stores would go out of business. And who would sign up for the zumba classes?”

       Ben was not going to smile, no matter what. He growled and bumped his heels on the mattress. “They’re still just moms. They don’t get tiny.”

       His mom acted like she hadn’t heard. “Thousands and thousands of fairies! When I was eight, there was only one, and she was fast as a moonbeam. Everything is mass-produced these days.”

       Ben scrunched his forehead and tried to look mean. But a laugh snorted its way out. “Here’s what you do: you come into my room when I’m asleep. You take my tooth. You put money under my pillow. Then you sneak downstairs.”

       “My dear bright boy,” said Mom. “You know you stay awake so long, asking questions. How could I start work at two in the morning?”

       Ben’s brain was getting scrambled. All he could say was, “The tooth fairy is YOU.”

       Now his mother laughed outright. It got so bad that she had to hold her belly. “So she’s ME, huh? Does she drive a minivan? Go to the bank? Shop for watermelon? What a sight that would be!”

       Ben held his belly, too. He rolled back and forth and got all twisted up in his sheets. His mother just kept going.

       “Does she answer emails? Bake lasagna? Wash your underwear? And oh oh oh, what if she tried vacuuming!”

       Ben laughed so hard he fell out of bed, and Mom had to drag him off the floor and tuck in the sheets all over again. “Listen,” she said, “I have an idea. Why don’t you stay awake all night? Try to catch the real tooth fairy.”

       “Try to catch YOU, you mean.”

       His mother sighed and looked out the window. “I wish I was a fairy. I’d love to spin on a snowflake.” Then she kissed Ben on the cheek—the one that wasn’t sinking into the pillow. “Make sure you listen, too,” she said; “you might hear a little tap-tap-tap on the window.”

       Ben tried saying “Okay,” but his mouth could only make the big O.

       He listened, but all he heard was his mother’s feet going pat-pat-pat down the stairs. Then he watched the yellow crack of light under his door. He stayed and stayed and stayed awake until his eyes got buggy and droopy. He thought, Maybe she’s not coming because I’ve been awake soooo…yaaawwn…soooloooong….

       Suddenly the door opened. His mother peeked in. “How’s it going?” she whispered. “Have you caught her yet?”

       “Caught YOU, you mean.”

       “You little goof. I’m going to bed now.” She kissed him on the forehead. “Tell me all about her in the morning, okay?”

       Ben yawned one last tooth-missing yawn. “Well, maaaybe it’s not you.” He looked at his mother with sleepy, happy eyes. “But you would have made a good one.”

THE END

Victoria's Apologetic

When our first child was six months old, I caught her in a strange act. Victoria was in her walker, lolling near the bookcase. Suddenly she bolted upright, eyes wide, and began babbling at the air. If I hadn't been with her, I would have guessed that a long-lost acquaintance had burst into the room and completely astounded her. She looked in turns absorbed and fanatic, subdued then alarmed, waving her arms and lifting the chin of her hairless little head. She repeated this inexplicable behavior on several occasions.  

It wasn't teething; it wasn't a demand to be picked up. It was something more wonderful, in the literal sense. What could produce this blend of bewilderment and ecstasy, sudden fear followed by sudden calm, near anger turning to wild joy? Perhaps there were guardian angels after all, and Victoria was conversing with hers. 

It was not the first time my daughter reminded me of things I had forgotten about the world. Once, holding her in front of the hall mirror, I sneezed. Victoria looked straight into my face and began to laugh--I mean a genuine, uncontrollable fit, with breathless snuffles, scrunched nose, tears in her eyes. It was hilarious to her that a dust fleck and a facial grimace should produce such a sound. Later I watched her display the same unrestrained glee over the most ordinary things: a cat rubbing against my leg, a carton of yogurt tipping over, water rising in the bathtub. My daughter had discovered comedy, and it was the finest thing life had to offer.

As a mother at home with my child, I often felt that the world with all its mystery was opening to me. Now we were probing the relationship between comedy and creation. Comedy is incongruity: a thing happens that could, imaginably, have happened another way. For a mind new to the world, most things fall into this category. Gravity. The location of ears. The moon hanging above the trees. Yawns and bellows from the mouths of furry beasts.

When I discussed this with my husband (a seminary student at the time), he told me that Victoria and I had stumbled upon the classic philosophical question of causality. Just because Cause A regularly produces Effect B, it doesn't mean there is an iron-clad, logical relationship between the two. When you toss the toy down the stairs, it isn't necessary that it rolls. G. K. Chesterton, in his book Orthodoxy, presents the idea this way:

All the terms used in the science books, “law,” “necessity,” “order,” “tendency,” and so on, are really unintellectual, because they assume an inner synthesis which we do not possess. The only words that ever satisfied me as describing Nature are the terms used in the fairy books, “charm,” “spell,” “enchantment.” They express the arbitrariness of the fact and its mystery.

Babies sense this. For them, rules of nature are not rules, but wonders. What to adults is simple cause and effect, to them is occasion for laughter. Because they are fresh to creation, babies have the purest, most undiluted sense of humor. The supreme funny bone, if you will. Why should such a cause have such an effect? One-plus-one always equals two; we can imagine it no other way. But when Daddy steps up on a chair and his head is suddenly bumping the ceiling, it's funny. When Mommy cracks an egg into a bowl, why should the yoke go down? Why not up? It's all startling and novel. To Victoria, it was hilariously illogical. Surely somebody schemed it.

Our daughter's amusement with the world was her own apologetic. It was her evidence that this is a created place and the Creator smiled when he thought it up. Because of her, I could imagine God's mirth when he commanded the homely caterpillar to sprout rainbow wings, or the satin blossom to unravel and become crisp fruit. I imagined his delight over a glossy wave turning to white foam. Or lightning leaping across the clouds. The tiny mustard seed sheltering the birds of the air.

Mr. Hoyt Bowman, an elderly usher at our church, had the self-appointed task of distracting fussy babies brought to the back of the sanctuary. One Sunday, Victoria's eye was caught by his shiny black patent leathers. To amuse her, he began sashaying them together in little zigzags. Victoria was captivated by the bouncing black tips. He popped them up and down, heel to toe. Victoria chuckled. Here, comedy and art found their perfect blend. Light and motion were noticed for what they truly are: created things. Victoria smiled as if to say, “Now that is original.” And of course, in the truest sense, it was.

In Year Two, the complexity of Victoria's nature became more apparent. Those Wordsworthian “clouds of glory” which had seemed to trail her showed up soiled after all, and with the rest of humanity, she tugged at the world to pull it her way. There was willful defiance of what to us were perfectly logical commands: Keep the beans on the tray, the milk in the cup, the doll out of the toilet.

Still, she was full of mirth. She reminded us that there is a Creator. The universe is ordered by him. In him all things hold together as by a spell. The ancient psalmist never doubted, and neither should we, that one day the rivers will clap their hands and the mountains sing together for joy at his coming. Until then, should we sneeze at the thought of angels in our midst?

 

I wish you the very best

The last time I visited my parents on the farm, I found an old shirt box in their attic. Inside were handmade birthday cards from my classmates. In a flash, I was back in second grade. Mrs. Langford's voice was trilling cheerfully. She told us to get out our crayons. She rounded the room, handing out sheets of construction paper. Then she demonstrated, very slowly, how to fold them in half. At the blackboard she picked up her special teacher’s chalk and, with perfect printing, wrote the formula:

Happy Birthday Rhonda, from ______.

With smudgy fingers and feet dangling above the boards, my classmates began creating. I suppose I was making my own picture and trying not to peek to the right or left.

The cards are very hopeful. My birthday is in the dead of winter, but nearly everyone drew flowers. Some composed variations on a classic theme. Kathleen, for example:

roses are red
violets are Blue
but you are the best
Achoo

and Lori: 

Roses are Red
Vlilites are Blue

Tinker Bell is you

and Bruce, who can now be forgiven for

Rross are Red
Vilits are blue
I wonder what you smell like
I do I do.

Some attempted a portrait. Eddie--though he wouldn’t dare call me Carrot Top--used orange for my hair. Annette chose the same, but gave me a purple crown. Denny was ornery, as usual: Happy Birthday Red Headed wood Pecker. Suspiciously, he put a pipe in my mouth.

Brenda had the whole 64-color set. She made me a beautiful present in periwinkle, a color I coveted. And Dawn couldn’t get enough of sevens: 7 candles! 7 tulips in 7 colors! An enormous 7 right next to my name!

Wait—did Mike have a crush on me? He put two people in a row boat, with a heart floating in the sky above them. The heart is pale peach, very vulnerable looking. In Mike’s topsy-turvy state, he made one big mistake: when you open the card, the words are upside down.

Billy’s cake is on a table--good thinking, Billy! I like, too, the wish you left: Happ Bith day. Here I can safely confess what Mike never knew: that you were my real crush (did we ever officially break off our engagement?).

Rodney would eventually earn a Ph.D. in quantum physics, and here he is already displaying his genius. He had discovered a new law of science: the cake is upside down, but the candles are still burning.

Melinda’s work is all brown. Maybe it’s chocolate, but there is a depressing look to her cake. The candles are too far apart and don’t fit; three are drifting off into empty space. One of them (a slip of Melinda’s crayon?) looks like a small cross.

Here is a pink house for me, floating between sky and grass. And here, lavish green frosting. And here (not sure why) is a multi-colored washing machine.

Who is the anonymous sender who put tears on the face of a stick figure? Who wrote ow three times in red? And this sparse card, done in pencil: would no one share their crayons? The one foster child put a happy daisy on the front, but an angry one inside. And this card, so neatly folded, says I love you. It’s from Edwina, the quietest of all. I hold it awhile, remembering the day in college my mother called to tell me Edwina had died in a car accident. We were all turning eighteen that year, but still so very young.

Dear friends: I appreciate the birthday wishes on Facebook, I really do.  But some day I would like another batch like these. Crayons only, please. You can send them to Rural Route 2. The mailbox still leans over the blacktop, where the yellow bus used to stop and carry me to school. It doesn’t come by anymore, of course, because all the children on that route have grown and gone away.

 

The Invasion

No European nation could have bested our rural Illinois town. We had a loyal citizenry, our own vernacular, a representative cuisine, remnants of family dynasties and even some unique tourist sites. We were better off than much of the world, and there was rarely outside interference. Our borders were secure.

So when the French invaded, we were naturally alarmed.

Some say that the most tragic year for the English was 1066, when the Normans crossed the channel and completely wrecked the language. We were no philologists, but we too would have fought hard at Hastings.

Freshman year. French I. A small but resilient band. The teacher was an outsider, new to the school, and though we didn't dislike her (quite) it was hard to keep a straight face when she introduced herself as Miss Diggle.

Oh rare Miss Diggle! Orange hair as big as a continent, parchment-pale skin, searing red lipstick, soft, sly voice. Her teaching method was calm, quiet, almost hypnotic, but all the while she was preparing a siege. She would take us captive and immerse us in French.

Day One. Do not open your textbooks. Listen. Listen again.

“Papa, mangeons dans un restaurant ce soir. Oui Papa, dinons en ville. Excellente idee, mais demandez a Maman d'abord.”

Now repeat, line by line.

That was when heads began to roll.

We said,Papa, mowgee doo resteroo sissy. Wee paba deeno veal. Egg-sale day may day dom dibbo.”

After a few rounds of this, Miss Diggle told us what we were butchering. Apparently, two children in France wanted to go to a restaurant. Their father liked the idea, but they had to ask Mom first.

We howled. Why didn't they just say so? 'Mowgee' and 'deeno' for eat? What kind of family was this? 'Wee' for yes? That kind of thing could get you in trouble. A 'resteroo sissy'? Hardly an excellent idea. They ought to stay home. Let them eat toast.

Miss Diggle was unfazed. She went on to teach us about French culture. Over there, people spoke through their noses. They ate goose livers. They took their dogs to all the restaurants. Women carried loaves of bread under their armpits, which they never shaved. And there was always a revolution going on--probably because the masses couldn't pronounce anything.

We learned that life was very hard in France. They had something called the Imperfect (no surprise there) and a lot of confusion about masculine and feminine. But what did it matter? Le, la, it's still only a table. Cats aren't always male. And just because it's covered in sweat, bread isn't necessarily boy-like. Losing points on quizzes only increased our prejudice against the French.

None of this was really Miss Diggle's fault. She had many strengths. In addition to her bold lipstick and her ability to keep a straight face, she had convinced the upperclassmen that they were now fluent. One day a senior girl stopped me in the hall to express, in raptures, how lucky I was to be starting French. She had loved it; it would forever be her favorite language; it was branded in her soul. As proof, she casually rattled off Lesson One:

“Papa, monjo noon restawraw sisswa...Weeee...Ay-zay-lone eeday....”

Well I say, Berets off to Miss Diggle. We remember her with delight. In fact, I googled her surname just now, and as I suspected, there is great dignity in it. We would have paid more respect, I think, if we had only known that Diggle “derives from a geographical locality, from the village of Diggle, once a farmstead, scarcely a hamlet, on the Yorkshire border.”

I don't know exactly where that small town was, but I bet they, too, fended off the Normans before letting themselves be conquered. History does repeat itself.

Beside still Waters

When we lived in the Chicago suburbs, I worked as an aide in a retirement home, on the fourth floor health care unit. I led activities, simple ones because all the patients had some degree of dementia. At the end of the day I was required to fill out a form for the state, reporting each patient's participation. The rows were labeled Music, Crafts, Reading, Nature, etc.

The most ambiguous item was Socialization. There were just two options: a check for “yes,” a dash for “no.” I was required to mark it and encouraged to be very liberal: check yes if the patient is breathing. I was told that you never knew, that the person might be socializing with him or herself. Or with someone in a dream. Or you simply may have missed a meaningful movement of their eyes.

The most difficult patient to judge was Dorothy. Her dementia was among the worst, and her behavior was unpredictable. The head nurse told me, “Don't stand too near her; she sometimes hits people.” This made Dorothy a liability on the ward. They kept her wheelchair next to the nurses' station all day. She had lost the ability to speak, and did not move her head, which made her look very sullen.

The genuinely sociable patients spent the day in the dining room seated at tables of four. Some of them could stand and poke around the room with their walkers, but most sat all day. They especially liked Bunco and could still toss the dice from their bent fingers. The ladies loved getting their nails painted, choosing colors like Fire Engine Red and Passion Pink.

These residents were mostly from Cicero, and a few had seen Al Capone himself. Nearly all had heard Benny Goodman live. They remembered Marshall Fields at its most magical, and were ardent White Sox fans. But the topic that animated them most was Friday nights at the Aragon ballroom. They really did use the phrase “the good old days” for it. One woman, who could barely put together a sentence otherwise, told me she had met her husband on the dance floor. “He was woo-hoo,” she said, with a breathy treble on that last syllable. I regularly played big band records and took these ladies by the hands for a dance. They couldn't leave their chairs, but they could bob their shoulders and swing their arms for a little fun. On those days, everyone within earshot got a check mark for Music.

Despite the cheery moments, decay loomed on the fourth floor like the wet ends of cut flowers. There was a fecal smell from poor bathing; an odor like horses from old teeth. There were smiles, but also complaints, some irrational, some fair enough. I was once chided for lifting the blinds to let in the morning sun. I thought it would cheer them, but they told me it hurt their eyes.

Parked at the nurses' station, Dorothy couldn't hear the music. She couldn't tell what she remembered, and had no amusing qualities or ability to exchange basic pleasantries. She had a folkloric face, large and square with a sharp nose, long hairs on her cheeks, a chin that angled outward rather than curving nicely from her bottom lip. Her forehead never relaxed. Her shoulders hunched to the level of her ears so that she could not look up into faces. Even so, you could tell she'd been a tall woman. Her hands were mannishly large. Her feet were unattractively long. She looked, in fact, a bit sinister, an impression that was reinforced when she exasperated the staff by suddenly swiping her hand and spilling juice, with a scowl that made it seem on purpose.

One day a fellow aide told me that Dorothy had, for decades, been a very active member of the Salvation Army. The image came to my mind (granted, more Victorian than post-Depression) of a severe woman in a cape swinging a schoolmarm's bell. I saw black-booted feet planted on a cold walkway of snow. I saw her staring down people who averted their eyes and walked on. This was all I could tell of the soul of Dorothy.

The day finally came, the inevitable pronouncement on ninety-three years: Dorothy was put on hospice. It had been delayed by a strong heart and a daily dose of large pills. Now the nurse brought them to her bedside in a paper cup the size of a communion glass. The juice was poured directly into her mouth, and the droplets that hovered on her lips were dabbed away. Witnessing this, I checked 'yes' for socialization.

Her slippers were empty on the floor, permanently stretched in the shape of her feet. The hospital blanket stayed molded over her long form. Her hands, streaked with veins like swollen rivers, stayed still. Had she even wanted to, she couldn't turn her head to see the bits of sunlight that slipped through the edges of the closed shades, or the gifts that had accumulated on the windowsill: a potted plant, stuffed animals, thinking-of-you cards.

One day I tested what was in her line of vision. With my face next to hers, the only thing I saw was the clock on the wall. I considered taping up her cards or digging an old poster out of the activities closet. I wondered what Dorothy would like to see. The question, I realized, was ultimately, Who was she? What would speak to this unyielding captain at her watch?

People active in the Salvation Army know all the best Bible verses, so I decided to write one on a card for her. In the office I found cardstock and a marker, and wrote out a portion of Psalm 23:

The Lord is my shepherd, I shall not want;
He maketh me lie down in green pastures,
He leadeth me beside still waters,

He restoreth my soul.

I put the over-bed table across her straight body and made sure it was at eye level. I folded the cardstock into an inverted V so that it stood up. I took off her eyeglasses and cleaned them; she blinked her blue-gray eyes and did not flinch. The glass was badly smudged from neglect, which in retrospect explains a lot.

Dorothy's eyes slowly scanned the words. Or did I imagine it? Was it pretense on my part, taking credit for a good deed? Maybe, like all those check marks, I was falsifying what I saw. But no, there it was again; I was sure of it: her forehead relaxed a little, and she really seemed to be reading.

A few days later I arrived at work and saw two men pushing a trolley out of Dorothy's room. On it was a canvas bag the length and girth of a body. They wheeled it toward the elevator. Nurses stood aside. The door slid shut.

It's a strange thing to walk into a room and see a bed that has just been stripped. It's strange to gather up hand creams, a hairbrush, stale candies. To open a closet and see blouses hanging there and a pair of dress shoes on the floor. To stand in a room that is large with absence and consider that a life was there, a person incapacitated but able to see a promise, even in dim light, and perhaps discover that, on no strength of her own, she could still draw near to someone who had dared draw near to her.

Binyam

The small east African nation of Eritrea ranks among the world's poorest, but it has a treasure that sets it apart: a capital city built above the clouds. Asmara sits on a plain at seven thousand feet, at the edge of the Great Rift Valley. If you drive east, just beyond the last street, the land suddenly drops, and a thousand rugged peaks are beneath you. Moist air from the Red Sea gathers in the valleys, forming white, promising clouds for a country that, year by year, is desperate for rain.

We lived in Asmara from 1993 to 1996. Afternoon drives were our main family diversion. When we parked our car to stretch our legs, we first stopped a local shepherd boy to ask, “Are there any landmines here?” Eritrea had recently won independence from Ethiopia in what was then called Africa's longest war, and the damage of those thirty years was everywhere. Tanks rusted on the roadsides. Shepherd boys were among the wounded. Our children could not race along a path freely.

Captivated expatriates described the Eritreans as dignified, hardworking, handsome, courageous and hospitable. Outside of Asmara, herders and farmers lived much as in biblical times. In the city, young men and women craved exposure to the Western world from which they had been cut off. They had grown up in a besieged city—once described as the world's largest prison—and their older siblings had either escaped abroad or been killed, one by one, in the war. Relief groups were hurrying into the country to help rebuild. Missionaries forced to flee decades earlier returned, gray-haired and still in love with the slender, dark-eyed people of the land.

While my husband taught, I carried my own small load, never more literally than on my weekly trip to market. I shopped mostly on foot. I knew my favorite vendors by name. Their one-room shops were crowded if three customers stepped in at once. Hefting five or more bags and baskets, I took home kilos of potatoes, cabbages, oranges, beef, bread, lentils, and imported canned goods. By noon my arms ached. I was dusty. The sun felt too direct, and I wished I had help.

Help stood on the street corner one Saturday. Catching sight of me from half a block away, a small boy ran up and blocked my path. He looked up expectantly, as though we were long familiar with each other. I smiled and tried to pass on my way. He grabbed the handle of one of my bags and tugged for control.

I saw that he was barefoot. As poor as the nation was, the children of Eritrea usually wore shoes. Almost every family could afford the kind of sandal worn by the liberation soldiers, manufactured from cheap rubber. But this boy's toes pressed against the hot cement. The edges of his soles were ash grey.

Hansab, hansab—Wait.” The boy's arm went slack for a moment; he stopped to listen to me speak his own language. “What is your name?”

“Binyam.”

“Binyam.” I let him take two of the bags—his weight in potatoes alone—and we walked together to the taxi stop. “Here is far enough,” I told him.

I had exactly ten birr left in my pocket, and I needed it all for my fare home. I wondered what to do with my unsolicited employee. Very carefully, he set my bags at the curb. His clothes were torn and unwashed. The dust of the streets had settled in his hair, so that the overall effect of his person was of a field in drought.

“Where do you live?”

“Akria.” It was a neighborhood far on the north edge, where no foreigners lived. I had been through it only once.

“Do you have brothers and sisters?”

“Eight.”

I said, “Binyam, I want to give you something. But I do not have it with me. If you come here” —I told him a familiar street address and explained it was a church meeting place—“tomorrow morning, I will have some shoes for you. I want to give you shoes. I want you to hear the stories, too. Your name is in the Bible, did you know that?”

Binyam came to the church, and I met him at the front steps with a pair of shoes. They fit him perfectly; as I had guessed, he wore the same size as my five-year-old son. During Sunday School I watched for a look of pleasure on Binyam's face and for a new pride in his posture. He didn't seem particularly interested in speaking with me; he quietly took his place among the other children and sang songs and listened to the story. It was good for him, I thought, to be off the streets and in this crowded, happy room. Afterward I invited Binyam to come every week.

He came just once more; he came in the same dusty clothes, and he came barefoot. When I asked him, “Where are your shoes, Binyam?” he looked away and moved into the group of children out of my reach. All that hour I was distracted by his feet. When he did not attend the next week or any week afterward, I could not get him off my mind. The absence of the slight, shoeless boy was bigger than his presence had been. I kept imagining scenes of great turbulence for Binyam. Had other boys beaten him for his shoes? Had his father punished him for taking a gift from a condescending foreigner? Maybe he had to sell them, for food.

Many expatriates published articles on the virtues of this new nation, and many, like us, hoped to stay and work for years, for the good of the people who had welcomed us. But the day came when the government, made up of the guerrilla fighters who had battled for independence, declared that all foreign relief agencies were illegal. The national press reminded the people that by their own will they had won independence and by their own hands they would rebuild. The country was kicking off its shoes, and few outsiders knew where they went.

The people were left as poor as ever, but the government newspaper reported great jubilance and patriotism and a bright road to progress. There were more battles fought along the border. There were arrests, imprisonments. We dismantled our life in Asmara and were never able to return.

Binyam would be nearly thirty now. Unless he has escaped, he is likely doing hard labor in national service, from which they say there is no exit. It is all incomprehensible to me. I can only picture an insistent child in the heat and dust, determined to take my burden. I wonder what he might have carried away, if he had come back to hear the story of his name. It is open in front of me now, full of transience and loss and the promise of provision in a new land: And they journeyed from the House of Bread, and there was but a little way to go. And the woman travailed, and the midwife said unto her, ‘Fear not; you shall have this son also.’ And so it was, as the woman's soul was departing, that she called his name Bin-oni, which means son of my sorrow. But his father called him Bin-yam, son of the Right Hand.

Ade Fana

During our three years in Eritrea, I tried very hard to speak the main language: Tigrinya, a Semitic tongue with its own alphabet and its own phonemes. It kept my vocal chords in a constant state of culture shock. An activity as simple as buying an egg was a tough workout. In English, the word is as fundamental as the thing itself. But in Tigrinya, "egg" is an onomatopoeia: the sound, I was told, that a hen makes when laying it. Very difficult to hatch in an American throat; it always sounded like I was ordering a Coca Cola.

There were two kinds of eggs on the shelf: small and brown or big and white. The grocer urged me to choose small. “They are the best,” he insisted; “The white ones are big, yes! But not so good. Those chickens eat only one kind of food. These chickens--” his hand swept over the brown eggs-- “eat whatever they can find. A variety!” True; chickens in the capital city were given great range. Still I preferred white. Especially when I got to know Ade Fana.

Ade Fana (Ade means 'mother,' a term of respect) lived three doors down. She kept chickens in her backyard. To me, she represented what was most endearing about Eritrea: toughness, humor, simplicity, dignity, an open door and a low stool to sit on because, best of all, there was always time to chat. When I came for eggs, she greeted me with three strong kisses: right cheek, left cheek, right cheek again. But she never gushed or fawned. Her manner was as blunt as her wit was sharp, and she quartered no nonsense. She was Socrates in a shawl. One day I reported being startled by a mouse in the night. What did Ade Fana think about mice in the bedroom? She shrugged. “What is a mouse, or a rat? What harm can they do? You just say Shoo! Now a snake in the house...Ay!"

My favorite moment was early in our acquaintance. I think she was still sorting out who I was. I was the first “Italian” to frequent her home; I attempted to speak her language; I was kenisha (the word for Protestant that still connoted “heretic” in the villages). Ade Fana shuffled up very close to me, tilted her head back and peered under her glasses to look into my mouth. I thought a compliment about my Tigrinya was coming. Instead she said approvingly, “Of all the Italians I have seen, you have the straightest teeth.” 

Fana and her husband Abe HabteMariam lived through the long decades of war. Like so many of their peers, bad news came in swift succession, the messengers of Job running up to their door again and again: first, one soldier son killed, then another, then—perhaps most tragically, for it was after liberation—a third was shot down, and their daughter-in-law died suddenly from grief. 

Ade Fana was a wisp of a woman, slender features, thin shoulders, swift little hands. Her husband was tall, stooped, big-boned. His eyesight was clouded by cataracts. Except for pumping water, he mostly sat in his chair, tended by his wife. One day I found Ade Fana sitting on a stool in front of him. She was holding his big bare foot in her hand and using a razor blade to cut away his corns. Not surprisingly, neither of them flinched.

Though he was nearly blind and deaf, HabteMariam (his name meant “riches of Mary”) walked to and from church several times a week. To do so, he had to cross the busiest road in town, guided only by a hand-carved prayer staff. It was no small wonder, this parting of airport traffic for Aba HabteMariam. His wife went at different times. During the fast seasons it was twice a day, every day, five a.m. and again at noon. Together they kept the fasts, which lasted for weeks and consumed nearly half the year. They would eat no meat, no milk products, no eggs. From drar (evening meal) till fadus (noontime next day) they ate nothing at all and did not take even a sip of water.

One day I heard that Ade Fana was sick; they had taken her to the hospital. (At that time, the one place you did not wish for your friends to go was the war-wasted city hospital). Her granddaughter told me she suspected it was all that fasting; Ade Fana just got too weak and dehydrated. One couldn't think of Ade Fana, grown thinner and at risk, without theological concerns. An elderly woman, frail as a dry reed, walking two miles fasting, standing through the long service fasting, listening for hours to the drone of an ancient language that she could not understand. A splintered cane at best, but she grasped it firmly.

When my friend was back from the hospital, I visited her. It was good to see her smile, though in an uncharacteristic pose: resting on the big bed inside the house with her feet up, being waited on. She looked happy when I gave her the gift of a Tigrinya Bible, and she nodded approval when I read aloud from it.

In the way of all flesh, the chickens eventually stopped laying and had to be eaten (in the proper season, of course). Ade Fana bought new ones, and the price for their eggs remained 60 centimes, no discounts. But you could still come sit on a stool and chat. It was a very good deal for the largest, whitest eggs in town.

The Worker

As a missionary, there was one relationship that I was hesitant to mention in my letters home. I didn't know what to call her. 'Maid' seemed aristocratic; 'domestic help' sounded almost canine. In the local language she was simply called 'the worker,' but that translation was hardly adequate. She was a cultural adjustment, but indispensable. She was order in household chaos, calm in family storms. Her name was Tsegeredah, which meant rose, and while she did have a sweet spirit, she was tough as nails. 

Nearly every household in Asmara had a worker, or serahtenya. A young girl might live with a family to help with the baby. Or a cousin might come from a village to stay. Grown daughters shared the workload until they married and had their own homes and serahtenyas. Side by side, these women handwashed clothes in plastic basins, cleaned house with limited water supply, prepared dough for the bread that was cooked daily, chopped vegetables, and sorted grains and legumes by hand. 

Tsegeredah washed our clothes, wiped floors, did dishes, all with a careful conservation of water since the city pipes frequently broke. She scrubbed market vegetables, straightened messes, found lost shoes. She negotiated the various personalities who appeared at our gate: the man who sold papaya, the woman who sold eggs, the man who sold potatoes. She advised me if the price was too high or the product too bad; she scolded the seller if he was too pushy. With a self-imposed determination to protect us, she dismissed realtors, favor-seekers, people who'd reached the wrong house, and the landlord himself if, in her view, he came at a bad time. 

Tsegeredah wasn't an avid talker, so we only had a brief sketch of her life. She didn't know her birth date--our celebrations were a novelty to her--or even her age. “Ane?” she said; “Me? Maybe...thirty?” Three of her siblings had been killed in the war. Tsegeredah had fled to Ethiopia as a young girl. From a start of selling tea along the sidewalk, she eventually owned her own restaurant. One day fire broke out on her block, and all the businesses were destroyed. So Tsegeredah came back to Asmara to live with her mother in a one-room mud-walled home. Before she worked for us, she had no job. 

Part of our challenge was linguistic: Amharic was her first language, Tigrinya a broken second, English a sparse third. I knew no Amharic, floundered in Tigrinya and, with three small children, sometimes spoke a discombobulated third.

Our children loved Tsegeredah; the best translation for this was "to pester." They tugged her away from work for a ride around the yard on her back (a very broad, strong one). They threw sand in her wash basin, to test her temper--which she displayed with a growl and a laugh. Her hearty "kee-DOO!" put them in stitches: from Tsegeredah, it meant "go away, you goofy kids, until I have time to play."

With Tsegeredah, there was less waste in our home. If she saw some leftover destined to be thrown out, she would take it home for her chickens. She could burn unwanted paper in her earthen stove. Empty cans were perfect for dipping water out of a barrel, and a jar made a fine drinking cup. Her own house had no electricity, so why use ours? Even if the daylight was waning through the tiny kitchen window, she would work in the dark. In three years, I never saw her flip a switch. 

One day we insisted she go to a local celebration with us. “Leave your work,” we said; “we'll only be gone an hour.” When we came home, there was a stranger's coat and pair of shoes on the floor, and all our rooms were disheveled. A thief! Tsegeredah was riled in an instant. She rushed around the house and yard, looking in every corner--"Alo! Alo! He is still here!”  She paced around with angry tears, punching one fist into her palm. She blamed herself: she shouldn't have gone out, it was her job to stay and keep house, why did she ever go? The day was ruined; those festivities pointless. She was so upset that I couldn't be, and I felt oddly light-hearted about the intrusion. 

The next day a policeman and a teenage boy came to our gate. I knew it was our thief: he was wearing my husband's L.L. Bean jacket. He was barefoot; we had his shoes. I thought, “When Tsegeredah sees him, watch out.” But she only took one look, gave a quick growl, and went back into the house. Her part—the indignation, the mourning—was done. It was not for the boy to fall into her hands.

I've said that having a maid was an adjustment. But surely we were a new culture to her. I tried to explain American things. “Ay-ya,” she said, looking very thoughtful, “Than-sgee-ving... Ay-ya, Vah-leen-tine Day.” Her tone was one of recollecting a far-off memory; I never knew if she had really heard of these things or was only pretending. “Ay-ya, To-pay-ware...." 

Our evangelical faith was something new. She wasn't a church goer; no one had taught her the Bible. One day, side by side in the kitchen, I told her the story of the woman at the well. I found myself intensely excited. Tsegeredah's hands were in the dishwater, but she was listening closely. She kept trying to guess the outcome. When I told her that Jesus knew, without being told, that the woman had five men, her eyes grew wide and she sucked in her breath. When I told her, “Jesus said, 'I can give you living water,'” she shook her head at the extraordinary claim. She was seeing it all. It was real, a story of her neighbor, like yesterday's news. She knew what a well looked like; yes, yes, she could see the woman hauling water. Ah, yes, that is a tiring job. Yes, she would want that precious water, too. Oh, the shame of living with all those men. And oh, she could just picture the woman running into her village eager to report this remarkable man.

For three years, Tsegeredah saw five sinners up close: tempers lost, mischief made, insufficient gratitude, complaints of thirst. When we moved back to the States we lost touch with our worker. A new war scattered the people again. Now, in my neat home and empty nest, I have all the gadgets I need to work alone. But I would like, if only for a while, to sit with Tsegeredah—if I could make her sit. I would drink tea with her and thank her for a thousand things. And I might ask if she could not, after all, tell me something about when and where she was born.

Down the Road

My oldest brother claims he tried to attend Woodstock, but I don't believe him. In August of 1969 we lived in rural Illinois, and Randy was only twelve. He would never have made it to the junction of Route 6 without being noticed; anyone could have seen that a freckle-faced kid with a buzz cut and a makeshift headband needed an immediate ride home in a pick-up truck.

There is further proof: all the photos taken of him during Woodstock are at the county 4-H fair. He may have failed at hitch-hiking, but he was a blue-ribbon winner at showing his horse, Misty. Dad had bought Misty for all of us to ride, but I was scared of her. It seems silly and unreasonable now, because I love the smell, feel and grandeur of a beautiful horse. But I was very young when we had Misty and was witness to a terrible event.

A family was visiting us, old college friends of our parents, and we children were expected to play with their children. Young David was my age. He was pale and dorky, and I stayed away from him. This made his visit dull, so my father offered him a little ride around the yard on Misty.

He set David in the saddle and showed him how to hang on. But, as my father later put it, Misty "took off a little faster than expected," and before my father could catch the reins, she trotted under the clothesline. David was immediately decapitated. I was sure of it; he fussed for such a long time. I was hiding my eyes, picturing his slitted throat. Later my mother scolded me for not even coming out to have iced lemonade with our guests before they went home. There were no snicker-doodles left, either, so all in all it was a very bad day.

Years later, at the University of Illinois, I ran into David. I had seen many cute boys on campus, but unfortunately David was not one of them. He was still pale and, I'm sorry to say, still a bit dorky. But to his credit, he told me he was off to seminary to become a Lutheran minister. They wear collars in that denomination, and so it may just be that Misty gave him a head start in his career.

With the exception of my horse experience (or lack of), I was and am a loyal farm child. Of course, so is my brother. We recently had a heated debate with our parents about the barn.  Mom and Dad thought it had become unsightly; they wanted to tear it down. We were up in arms; I wept, and Randy argued with all the passion of his thwarted Woodstock days. We had memorieswe protested, and in the name of all that must be salvaged in this crass, urbanized world, it was unconscionable to delete a barn. For our parents, it was a matter of safety and maintenance costs. And they rightly pointed out that, since their offspring lived hundreds of miles away, we were hardly around to help take care of it.

We had to grant that the barn isn't terrifically interesting from the outside; as barns go, it's pretty nondescript. But inside, there are hand-hewn beams with the original chisel marks; there are old hooks where milk pails were hung; the top plank of one stall is worn into a polished curve from the broad neck of a workhorse leaning over for a treat. The main problem is location. Unlike other barns, it doesn't sit back and preside nobly over house and yard. It sits between the house and the road. It's a view-blocker. Apparently great-great grandpa Otto thought the county road would be laid east-west; unfortunately the township changed its plans after he had dug his foundation, and the road ran north-south, just eight feet from the barn, parallel to its long side.

In our family feud, I didn't bare my real motives for wanting to save the barn. It was its very position, blocking the view of the road, that made it romantic. There was a boy I dated in high school who drove twenty-five miles across the county to come fetch me for a movie. I had all the symptoms—palpitations, preoccupations, stabbing pains—of deep love, and was always ready early and watching out the window for his car.

What I could see from that window was the interstate bridge. I-80 was just three hundred yards from our door (two hundred from the end of the barn), so our blacktop road passed over it. A visitor's car would crest the hill; you spotted it there; it would head down and then be briefly hidden by the barn. Then it turned into our driveway and its tires crackled over the gravel until it came to a stop.

Saturday nights I watched for the boy's car. It was winter and already dark when he came, so I would see his headlights first. There was no more thrilling sight in the world than those headlights on the bridge. They descended; they disappeared. Long, long seconds later they reappeared. Then the slow turn into our yard, then him standing on the doorstep and me already wondering about a kiss at the end of the night. When eventually this boy stopped asking me out, I thought I was demolished.

Our arguments saved the barn. But now I feel a new sadness. I've realized that over the decades, my parents have stood at that window countless times watching for their children to come. The rebel teenager. The troubled college student. The newly engaged pair. The first grandchild. The one who kept saying, “Maybe next Christmas.” A car to look for at the top of the bridge with its lights on in the dark, so close to home and yet, for a time, disappearing. Finally the blessed sight of that person walking towards the front door, which was already being held open by my father's hand.

Aiming High

For one whole week I was the substitute teacher for a fifth grade class here in San Diego. Actually, there was no real class in attendance. They had flown to Virginia to study colonial America. Only three students were left behind, and somebody was needed to work with them.

The school was a “classical academy,” modeled after the rigors of the traditional British prep school and the artes liberales of the Ancients. This translated into a pretty heady curriculum. Since we weren't out touring Williamsburg, we were told to read Jonathan Edwards. Picture the scene yourself: three ten year-olds who had just missed the Rapture, expected to discuss “Sinners in the Hands of an Angry God.” With a substitute teacher who forgot to bring pipe-cleaners and string for the mnemonic device they were supposed to create: a dangling black spider.

Our venture into Puritan poetry was much better. We read Anne Bradstreet's poem "Upon the Burning of Our House.” I went over it slowly, unraveling the hard syntax and clarifying words like “bereft” and “succourless.” Then I gave the suggested assignment: Draw a picture or write a poem about something you once lost.

One girl did a quick scrawl of her dog; the other drew herself saying goodbye to a friend. But the one boy, Austin, wanted to write a poem. Without flinching, he told me he would write about “this boy I knew when I was seven who got killed by a truck.” Like his announcement of this heavy subject, his poem was spare in detail, sober but not sappy, and heroic. He tried to imitate 17th century diction: “The truck did speed” and “In the ground he lies,” and his work embraced Bradstreet's worldview: “I will see him again/In the heavenly mansion on high.”

Austin was smaller and younger than the others, with a sweet face and a sweeter soul, the kind of boy who engages adults earnestly and feeds on their affirmation without guile. As touching as his poem was his eagerness to read it aloud to the other teachers. He typed it up that night (with a few format improvements I'd suggested) and brought it in the next day. He said he'd like to try writing some more poems.

He was a poet all week. He never lost his earnestness, his soul never shrank, but his work did suffer from a certain hurried commercialism. Each day at lunch he called me over to announce that he was going to write another poem. Right then and there. On his napkin. Did I have a pen? And, um, what should he write about? He only had about five minutes.

The readiest advice I had (which was given to me in college) was this: “Write about what you know about.” Austin looked stymied, so I suggested baseball. He had a poem scribbled out before recess. It included the Padres' latest score and the line “Cameron Maybin robs a home run.” There was some fair imagery--“the crack of the bat/There's nothing better than that” and “He throws the ball like a gun.” But the effort was more indicative of a future sports announcer than a great poet. But here was a worthy idea: customized verse. Why not? After all, every young artist needs a patron. Shakespeare had his queen, Bach had his dukes. Austin had me, for the week at least.

With versifying well in hand, Austin turned to a bigger challenge: entire recesses spent shooting a basketball over and over and over from the three-point line. I suggested he move closer to the basket, since he was only making one out of every million shots. But this was overstepping my authority. The point wasn't to make it. The point was to fire away. The idea was to work and hope and hope and work and finally exult in that one elusive moment of pure poetry.

I have Austin's poem in front of me now—not the one about loss (his parents treasure that) but the one about triumph (he typed it off the napkin). In the boy's uneven meter, as Mrs. Bradstreet would say, “There's wealth enough, I need no more.” One perusal of this crumpled page has the power to compose me. It gives the unfolding day balance and form, as surely as any greater artist's preface or prelude to beautiful things.

Windbreak

I recently conducted a poll among southern Californians, asking “Do you know what a windbreak is?” All three people said “No.” This was good enough for me. I knew I had to write this essay, if only for those three, because to go through life without understanding a windbreak is to go through life imperiled by the elements.

Merriam-Webster is no help. “Something” goes their anemic definition, “such as a fence or group of trees that protects an area from the wind.”

The National Agro-Forestry Center is pragmatic and dull: A windbreak is a thing that will “improve your income and store carbon.”

 The Arbor Day Foundation takes the moral high ground: “Planting the right trees in the right places conserves energy while helping to fight climate change.”

And if you accidentally type “w-i-n-b-r-e-a-k,” you get only bad news: “WinBreak.cmd is a file that will shut down your computer in 10 seconds” and “Protests of Trump’s presidential win break out across the nation.”

Do not trust eBay, though it sounds promising: for ten dollars and fifty-four cents you get "(12) 18” Weeping Willow Tree Cuttings Branch Fast Growing Wind Break Block Shade.” What you will actually get (besides bad grammar) is the very opposite of what a windbreak should be. Willows are flighty; they don’t stand still. You want a thing impenetrable, unmoving, with the fortitude of deity.

You want what my father planted.

Back when webs grew on trees, when the word “bay” went with “held at,” when neither wind nor snow could shut down rfd, but both could keep you from doing your chores on time, my father planted a windbreak. It was 1964. Our rural Illinois farmstead was already shielded from riotous urban politics, but it needed protection from the weather.

Dad took up an offer from the Department of Agriculture: free seedlings to improve your farm. He selected thirty Austrian pine and sixty Norwegian spruce. He had to plant them himself. I was only two years old, so not much help. But I must have taken delight in the sight of them: my father says they were barely 8 inches tall.

I imagine him on his knees, cap on his head, sleeves rolled above his strong forearms. With leather gloves protecting his hands, he held each tiny trunk. He only needed a hand spade: all it took was a poke and a push to move the dirt aside. He stuck a seedling in each narrow hole, stomped the ground around it, then moved fifteen feet and knelt again. He did this ninety times. At the end of the day, it would have been just like him to pick up his little daughter and talk to her about the trees. Surely the smell of wind and soil and grass was on him in that moment.

Until it was established, the windbreak had to be tended carefully. For weeks my father carried bucket after bucket to each young tree. Pouring with a skilled and steady hand, he let the water seep slowly to the roots. It was good water, from our very own well.

For the first winters I never understood why I couldn’t have my own little Christmas tree for the house. But that forest was destined for greater things, and it was contentment enough when, on the best kind of winter day, I woke up in the morning to a perfectly blue sky and snow heaped on every branch. Or when an ominous ice storm threatened all night, but by morning had magically coated the needles: thousands of crystals glinting in the sun.

Those evergreens lined two sides of the yard, blocking the notorious north and west winds. If you took a walk on a blustery day, you learned how thoroughly you were protected. As soon as you left the yard, you were a rag doll. You took a blast in the face and chest; your coat whipped behind you; your hat flew into the ditch. You lost your hearing and your voice. When you finally turned back, the wind shoved you home.

In warm weather, crows would sometimes land in torrents on the windbreak. They behaved raucously. As a teen, a cruel impulse might overtake you: to make them go mad, because you were mad, the world was mad, inside you was a wild wind. You clapped your hands like a shotgun, bam bam. In one thunderous panic, the birds flew up. They swirled crazily. When they settled, trembling, back on the branches, you did it again. And again. And maybe again, all the while knowing that every one of those black creatures, even God himself, must be utterly exasperated with you.

Then there were seasons of loneliness, when you were romanced by Keats’ lines about ceasing upon the midnight. The earth was falling away anyhow; why not be released into unbounded wind and sky? The kind only a prairie dweller could know, to a place blotted out with cloud, where nothing that pained you could land. The windbreak could not help or hold you; it was neither friend nor foe.

Then you settled. You married. You brought your children from the city to visit Grandpa’s farm. “Those trees are called a windbreak,” you told them. But that tangled forest didn’t attract them. These were not the climbing kind of trees, or the romp-around-the-base kind of trees. These trees scratched. There were ticks in the weeds. Even if you went in to hide, no one would think to search for you there. Nothing in that dark place was tame.

I’ve boasted that the windbreak was impenetrable. But all living things are subject to death; one year a blight took out the Austrian pines. The two rows of towering spruce still grow, though branches sometimes fail. My father has done a lot of work in recent years, trimming the low ones. You can see again his original fifteen feet of space from trunk to trunk. You can watch the new corn grow in the north field. You can catch sunsets. Dad has nicely mulched around each base, and he regularly mows the grass there.

Last year our daughter had a vision for the windbreak: she would have a cathedral wedding. The guests sat beneath pillars of evergreens. Victoria’s dress shimmered in the soft afternoon light; her hem floated like mist on the grass. In her braided hair was a simple sprig of greenery, and her lip quivered a little. Her groom, too, had tears in his eyes as he watched her approach. Bridesmaids had hung crystals from the branches, and each caught a glint of sunlight. The guests, though they brought to the wedding the complexities of their own windblown lives, held their collective breath in that moment. Afterward, someone spoke for all of us: “It was enchanting.” We felt protected, if only for a day.

The windbreak will eventually pass out of one man’s hands into the hands of another. This next Adam will work and tend it, though he suffer many storms against his house. But my father has known that all along. He will tell you he’s only been a steward. There’s a greater owner, he will say, rooting and establishing something bigger, holding the very elements together. So a ceremony among those trees is a kind of hope, giving just the right amount of shelter and shade, while a magic play of light wends through the hovering branches.